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Pickguard - For HBHB Stratocaster® - (Modern)
Pickguard for Double Humbucker Stratocaster
 
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Description Technical Specs Wiring / Instructions / Customisation
 

Main Description

Even more of an enigma then the standard “Fat Strat®”, the “Double Fat” most likely came about in the early 80s, and took direct inspiration from the popular Telecaster® Deluxe models from the 70s, as well as the Imported “Super Stat®” that where appearing at the time in the far east from companies such as Ibanez®

A fairly innocent concept really, allowing a Stratocaster® to use 2 humbuckers, the results can be as varied as your imagination thanks to the wider range of variables offered by humbuckers in terms of tone.

This plate is designed to fit Fender® and Squier® Guitars including the Stratocaster® built from 1963 until today, and any subsequent reissues that are built to those specifications, however, please note, these are not official Fender® parts.

Whilst we endeavour to ensure that this pickguard will fit the guitars stipulated within this description, there is no guarantee that your guitar conforms to these standards so it is advised to check the Technical specifications to ensure the correct fit.

Now available routed for either "Covered" or "Uncovered" Humbuckers.

A Closer Look and what to look out for

Difference between modern and 50s switch on a Strat

Mounting Holes

Where most of us will be familar with a Strat® sporting 11 mounting holes on its pickguard, its the culmination of the plates development by this point - everythings where it should be to stop warping - and it turns up absolutely everywhere - not just on Fender® instruments, but absolutely everywhere - anything that looks a bit "stratty"? chances are its using a modern spec plate like this.

1954 STratocaster counter sunk bolts

Pickup and Switch Bolts

Fender® stuck with counter sunk bolts up until about 1983, however, when production restarted in the USA in 1984, we see the introduction of dome head bolts on the pickups and switch - this isn't a straight swap over (with some countersunk versions still appearing up until about 1988, and the waters being increasingly muddied by the Japanese reissues kept the company on their feet) - but for the most part, post 84, an American Stratocaster® would have had dome head bolts for pickup height adjustment and switch mounting.

1957 STratocaster trussrod Without Notch on scratch plate

Truss Rod Access

With the debut of the "bullet" truss rod nuts in 1971 we see the first Fender® Stratocaster® models with the truss rods adjustment in the headstock rather then the heel.

As such, we see a change in the pickguard to reflect this, with the "half moon" notch in the neck pocket being removed, and that change survived the subsequent change in 1983/84, where the pickup and switch bolts were changed over to dome head rather then counter sunk.

thin, thick and 3 ply pickguards in profile

Edges

Because this plate, despite debutting in the 80s, has lasted until the present day - you do actually get a mis of single ply and 3 plys as standard - 3 (and 4!) plys are by far the most common, but single ply versions do turn up every now and then - so we carry both, but because we're getting pretty far from historical accuracy at this point, we only carry 1 ply THICK plates as well as the 3 and 4 plys, simply because they're more resistant to warping thanks to being 2.3mm thick (same as the 3 and 4s)



Fender®, Squier®, Stratocaster® and Strat® are registered trademarks of Fender Musical Instruments Corporation and Axesrus® has no affiliation with FMIC

Moving Holes? Optional Pickups?

A few years ago, we started to change the way we did pickguards – we’d run a “custom pickguard service” for a year or two before that, which, was a pain from start to finish*, but, honestly? The most common request we had, was relatively normal pickguards, but with different control lay outs.

So, as the "true" custom pickguard stuff came to an end, we just started to stock “half finished” plates – all finished, except they don’t have the pot holes drilled in them.

That means we can offer a few different options, and we’re just drilling them in house.

This has snowballed a little bit, because there’s probably a few more options than there should be, but, between the wide range of pickup options, and the customisable pot holes, you can do an awful lot without really breaking the bank with a “full” custom made pickguard.

There are limits
That said – let’s not dress this up into something its not! We’re drilling out different size holes with a pillar drill and a few jigs, for absolutely no extra cost. We aren’t making the pickguards, we aren’t routing in the outisde shapes, we aren’t cutting in the switches.

Technically (and legally!), these pickguards are custom made, because they’re being “made to order” – once they’re drilled as requested, they’re under the remit of custom work – its just that the level of customisation is limited to the pot holes.

So, whilst this may look like a "custom made" pickguard, it isn't. In reality, your picking between either a covered HH or an uncovered HH pickgaurd, and we're drilling in the pot holes, and, potentially, routing in the middle single coil.

Extra Cost?

Pot holes, we're doing at no additional cost, because, frankly? Its 30 seconds work on the pillar drill - but routing in the option middle pickup, i'm afraid we do have to charge for. Purely because this involves taking the plates off site, to be re-routed.

Routing plates carries an inherent risk of damage to the plate itself, and a considerable investment in time, not only routing your plate, but also making the jigs. These costs must be covered, so, the additional middle pickup, currently costs £25.00 including VAT.

Why are there 3 sizes?

Here’s where I’ll admit to the whole thing snowballing a little. The pot holes aren’t just limited to pots now – we built in ½” holes for toggle switches, and ¼” holes for mini toggles. It doesn’t really change much thankfully, the holes are still in the same place, they’re just a different diameter.

So, with that in mind – lets see if we can figure out a way to explain where the holes are in relation to the plate!

Volume pot

We do 4 volume pot hole versions

So, working from the back of the plate, up from the very bottom pickguard mounting hole.


Standard - the usual position, if there was a single coil there, the knob would be nearly touching the bridge pickups height adjustment bolt. 102mm centre to centre, angled at 54 degrees (approx)

Offset 1 - what i'd call the "Tom Delonge" offset - volume pot right down out of the way, nearer the switch. Personally, i dont like it with a switch - its just that bit too close - BUT - if you can live with it, it gets the volume out of the way AND you get to keep both tone pots.

97mm centre to centre, angles at 36 degrees (approx)

Offset 2 - What I'd call the "Ibanez®" offset - volume controls about half way between standard and the neck tone pot (so you cant have the neck tone AND offset 2) - personally, a better choice for getting the volume pot of the way, because it doesn't crown out the switch like Offset 1 does.

84mm centre to centre, angled at 50 degrees (approx)

No Volume Pot - what it says on the tin - no hole for the volume pot will be drilled.

"Neck" Tone

As we get away from the volume pot, things get a bit simpler thankfully - tone pots are either there or they're not - but for completeness sake, i'll put the dimensions/angles in. (Just remember that neck tone is the one in the middle between volume and the bottom tone pot hole - controls the neck pickup!)

Standard -60mm centre to centre, angled at 44 degrees (approx)
No "Neck" Tone -again, no hole for the neck tone.

"Middle" Tone

The bottom tone pot (NOT the one in the middle!) - controls the middle pickup traditionally - again, not a great deal you can do with it - its either there or it aint.

Standard -19mm centre to centre, angled at 31 degrees (approx)
No "Neck" Tone -again, no hole for the neck tone.

And in closing - Pickguards, once drilled away from the standard hole plan, come under the remit of Custom work and as always, if you've got any questions what so ever, please feel free to get in touch with us and we can talk through all the finer details of your proposed build.

Returns and Refunds?

Because these plates are, essentially, custom built due to the pot hole positioning being variable - they come under the remit of Custom work as laid out in our terms and conditions.

The product page will have loaded up with a "standard confirguation" pre-selected, but that doesn't change the fact that the plate exists, on the shelf, with no pot holes drilled in it, and we will be modifying it to meet your specifications, so it is non returnable or refunable.

EXCEPT - when a plate is ordered without any pot holes drilled. This, obviously, means the plate is unmodified, and as such, returnable/refundable (assuming you have no tmodified it yourself)

So, its really worth using all the resources here to make sure its exactly what you want before commiting to buy the thing! Theres spec diagrams under the tech spec tab, theres photos of all the colours under the "Colours explained" tabs - your as well informed with what your getting as you can be (and again, if in doubt? Just buy the thing without the pot holes and drill it out yourself - 10mm drill bit and a cordless drill - easy job - we'll even tell you where to put the holes)

"Colours" Explained

Ok, even i'll conceed that this isn't the most thrilling of toics at this point, but there is actually plenty of confusion when it comes to the "off white" pickguard colours, so seeing as we're ticking off pearls and tortoise shell varients, we might as well address the parchments, mints and creams too.

So lets get stuck in

White Guitar Pickguards

White

We carry all our white plates in the above "shade" - its a completely opaque pigment, and is what you expect really, a very clean, crisp, pristine white.

Parchment Guitar Pickguards

Parchment

Occasionally called "aged white" in the trade - parchment is the next shade in from white, slightly darker with a very slight creamy/yellow tint - think of it like old news paper.

Mint A Guitar Pickguards

Mint A

The Lighter of the two Mint Greens, not as common on production guitars as you'd imagine, but a very subtle shade thats alot closer to what people expect Mint Green to be.

Mint B Guitar Pickguards

Mint B

Proper Mint Green! Dark, with a slightly grey hint to it. Does NOT photograph well, and suffers from horrendous camera colour correction. Very green, very dark, and a much closer shade to the discoloured nitrate plastics of the 60s, which Mint green was intended to mimic.

Ivory Guitar Pickguards

Ivory

Ivory (sometimes called Creme, especially if we're speaking "in Gibson") - buttery and rich, boardering on orange. Not a common colour by any means, especially in Fender style pickguards, but i absolutely love it.

Black Guitar Pickguards

Black

Black is black.Not sure theres a great deal i can say about it to be honest. Very opaque, very crisp, very classy. I always like the contract on the 3 ply plates with the white middle layer.

Now, to before we get further into colours, i've got a few bones to pick over when it comes to Mint Green, so, if you'll indulge me, i'll try and explain why Mint green is so "hit and miss"

First things first, you've probably spotted that the Mint A and Mint B "real" photos look a bit... false, right? Thats because they are I'm afraid - Cameras really struggle to capture the difference between the colours. Essentially, the camera just corrects the image to something that looks like a fairly washed out Mint A, regardless of the actual colour.

So, before i get lost in this, heres the unedited images of Mint A and Mint B, and i think we can agree that the camera has made a meal of things. They both look identical.

Now, this is useless from my point of view, because it doesn't show the difference, so, you'll have to trust the edited photos above, and, honestly? The swatch image tied to the colour select drop down, gives a very accurate match to what the plates look like in the flesh.

But, i'm showing you this because you must consider, that if I'm having this problem, you can bet everyone else is too, so, a word to the wise? Dont trust photos of guitars with mint pickguards! I can search online now, and i can see 10 subtly different shades of mint pickups fitted to Fender guitars - but i know that Fender always use Mint B (Except Fender Japan) . Its a trick of the camera, and there aren't that many variations of Mint Green - I think, in the 20 years i've worked here, i've seen 4. (B, A, a very bright "snot" green, and a "not unpleasant" green that was close to Mint B, but a shade brighter)

Mint B Guitar Pickguards without colour correction

Mint B

Uneditted - Mint B looks nothing like this in real life, and is a much darker green, with an almost "grey" shade to it.

Mint A pickguards without Colour correction

Mint A

Mint A, is actually quite close to this however, its not quite as "washed out" in the flesh, and is a little more vibrant.

Mint Pickguards comared to white and Parchment

Comparison

When Mint A and Mint B are photographed side by side, and with a few other colours (in this case, White and Parchment), you see a much better comparison between the colours.

Ivory PIckguards different

Ivory vs. Ivory/Black/Ivory

We actually carry two different Ivory plates - There is Ivory (available in a 3 ply Ivory/Ivory/Ivory version, and a single ply version) and we also have Ivory/Black/Ivory 3 ply, which is now obsolete, but survives in old stock.

These are not the same colour, and Ivory/Black/Ivory plates will not match Ivory single ply, or Ivory/Ivory/Ivory plates, with the I/B/I plates being closer to a nicotine yellow, where the I/I/I plates are much more orange "cream"

Pearloids Explained

Pearloid plates are similar to the tortoise shells, but theres a little less subtly between them, and they dont really have anything overly interesting in their history - as far as i can tell, they're always been PVC, and the variations in colour and pattern are pretty easy to follow.

White Pearloid Scratch Plate

White Pearl

The most common pearloid you're going to see - "white pearl" - i think its safe to say we all know the look. Interesingly, Pearl pickguards are actually made from a material intially intended to be a faux "mother of pearl" (which is the inside of an oyster shell)

Parchment Pearloid Pickguard

Aged White Pearl

More common then you'd think strangely - fairly safe to think of it as the Parchment version of white pearl. For whatever reason, the pearling is a little tighter, with fewer blank spots between the reflective sections.

Grey Pearl Stratocaster Pickguard

Grey Pearl

Grey pearl isn't my favourite. Its appeared a few years ago, being missold as "black pearl", with doctored photos and wild promises, but was no where near.

Avalon Mother of pearl pickguard for a stratocaster

Avalon

This is a fairly new pattern as far as we can well - actually a much closer representation of that "mother of pearl" look that the original pearloids were going for. Rather then being broken up into reflective "squares", its more bothches and swirls, gives it a nice crisp finish.

Faux Abalone pickguard for a Strat

Abalone

If Avalon is getting closer to mother of pearl, then its probably only right that we've got one thats getting close to its opposite number, abalone (which is the inside of the shell of a few species of marine snail) - its certainly a very "unique" pattern, and again, is more swirls then squares.

Black pearl AM standard back plate

Black Pearl

Black pearl is always a bone of contention for us - its not "really" black - its more a dark grey colour - there is a blacker version out there (not that we can find it!) called "Moto Pearl" - but yeah, they've both got their place.

Pearloid plates do have a few of their own little quirks, so, i'll do a little more detail here too.

Close Up of Pearloid Pickguards

Shade differences

Viewing plates in isolation, its quite difficult to see how they differ, so i really like this photo. It shows the difference between the black pearloid and Grey, and the Aged and White plates.

Pearloid Stratocaster Pickguards with matching Knobs

Knobs

Pearls suffer from a weird problem, not being a flat colour, its somethings confusing trying to match up knobs/tips/cover - so, heres what i think works.

Aged White pearl matches with Parchment plastics.

White and Avalone matches up with White plastics

Black pearl, doesn't really match up all that well with black knobs, and, honestly? It highlights that black pearl isn't, really, black - but, its as close as your going to get i'm afraid.

Pearloid Pickguards plys explained

3 and 4 Ply

Pearloid plates can be a little confusing when it comes to their ply count, because they dont always conform to the dark/light/dark pattern we've come to think of as normal.

Essentially, the pearloid layer on the front of the plate, is a ply, so, 3 ply pearloid plates look like 2 plys (especially on lighter pearls, where the pearloid layer is semi transparent and appears white) and 4 plys look like 3.

You can, just, see the individual plys on this photo.

Tortoise Shells

You’ve probably noticed with the pickguards, we do A LOT of different variations in tortoise shells – and even then, we barely scratch the surface when it comes to completing the line-up.

Basically, Tortoise shell, originally, way back when, when it first started (long before the electric guitar was a thing) was just that – pieces of a tortoises shell, fixed together into a shape, and polished until semi-transparent (some of the early acoustic pickguards were actually made this way)

Now, obviously, none of us want to see a return to those practises, but seemingly, everyone liked “the look” – so with the advent of plastic in the early part of the 20th century, science found a cheaper way (it wasn’t until the seventies when trade in hawksbill turtle (the main source of Tortoise shell) shells became illegal!)

The first “plastic” Tortoise Shells were made from Nitrate plastics, usually Celluloid – and, frankly, it’s pretty gorgeous! Its semi-transparent, it’s got a sort of leopard skin look to it, and it soon worked its way onto guitars (again, most acoustics)

The problem is – Celluloid plastics are astonishingly flammable – they have a low point of combustion, and once they’re burning, they don’t go out until the fuels gone, or they flame is deprived of oxygen. As you can imagine, no one really liked working with Celluloid. It was risky to use (cutting = friction = heat) it was dangerous to store, and it wasn’t really suitable for the job at hand ( it changed colour when exposed to sunlight, it warped, it shrank, it was generally, pretty badly behaved!)
Never the less, it did eventually find its way onto electric guitars by the late 50s and early 60s, but was soon replaced for something more suitable and much safer.

Nowadays, you see Tortoise shells in either Polyoxymethylene (more stable as a material, but still very flammable) or PVC (which is fairly bomb proof, but does give off toxic fumes if burnt)

Now, getting to the modern day – Tortoise shell comes in 5 “variants” for us (ignoring the Celluloid offerings, they’re still out there, and great for historical accuracy, but just be VERY careful with them – not only in buying them/storing your guitar once its fitted, but also in actually sourcing the stuff, we’ve yet to find a factory who will even consider making a plate with it (too big a fire risk) and even when we do, its very cost prohibitive (more expensive to buy the things then we could ever dream of selling them for!) – there are guys out there making them though – but as a rough guide, expect to pay upwards of £150+)

Classic Tortoise Shell

Classic

Now this is a funny one. For the longest time, it was the only Tortoise shell we had access to, and honestly – its OK – turns up pretty often on mid-priced guitars, such as the Squier® Classic vibe and vintage modified lines – personally, I think of it was a cheats Tortoise shell, because it seems to be a screen print sandwiched between the layers of PVC, and as such, it looks a little flat. It is, however pretty uniform, so if you want all your tortoise shells to look the same, classics the way to go.

3 Ply Brown Tortoise Shell

3 Ply Brown

Now we’re talking – rather then a “flat layer” brown tortoise is the real deal – layers of semi-transparent PVC (one yellow, one brown) over laid to give that characteristic look. For whatever reason, the 3 ply version shows a little more yellow in the mix then the 4 ply. It shows a great depth of colour as a result, and if pressed, I’d say it was my favourite of the shells.

4 Ply Brown Tortoise Shell

4 Ply Brown

Slightly darker then the 3 ply version, less yellow bleed through in the mix (presumably because the yellow “layer” is thinner)

3 Ply Red Tortoise Shell

3 Ply Red

Similar to the brown version really – yellow and red, one on top of the other, but it’s the same principle, same results, just a little more vibrant then the brown.

4 Ply Tortoise Shell Pickguard

4 Ply Red

Where the brown 4 ply shows a little less yellow, the red version pretty much cuts it out completely. Its almost bordering on a red pearl for us, and certainly not without its charms. Ideal if you really hate the idea of the yellow peeking through.

Celluloid Tortoise Shell Jazzmaster Pickguard

Celluloid

For completeness sake, heres a photo of a celluloid plate too - i think we can all agree, it looks absolutely glorious, and theres a real depth to the "shell" effect - but if you look closely at the photo, you can probably see that the plate (in this case a Jazzaster) has badly warped, its been kept in the same conditions as the PVC plates above, for the same amount of time, but its way past being usable now.

FAQ

These "tabbed" pages are great, because they mean we can go into a bit more depth on some of the more "niche" topics of guitar parts, but, at a certain point, it does make sense to just lump some of the "really niche" stuff into an FAQ and be done with it - so here it is!

Will this pickguard fit <INSERT GUITAR MODEL HERE> ?
Right then, I’ve typed this out in emails (tens of) thousands of times, and, honestly, it’s as cowardly an answer now, as when it first wrote it.

"I DONT KNOW"

No one does, not really, not with total, 100%, unwavering certainty.

This is a bit of a two fold "problem" sadly – but bear with me, if anything, it’s a window into the insanity of guitar parts!
Firstly, in the grand scheme of things, I (and every other guitar tech/tech support/musical instrument shop employee) see a frighteningly small cross section of guitars manufactured every year.

There will be models of guitar I never see in the flesh, let alone have them on the bench, let alone have them on the bench for a pickguard replacement. I’m not exaggerating here – there are makes and models of guitar I won’t know about until I receive an email or phone call about them.

And there’s no Haynes manual for this stuff – no one higher up the food chain is recording pickguards. Theres no spec sheet which covers a Stratocaster® or a Tele® or a Les Paul® in this sort of detail. Even Fender® who are, pretty good at recording “what uses what”, don’t go this deep. Joe Bonamassa probably isn’t measuring and recording his guitar collection either.

So, pickguard “knowledge” is something of a hive mind thing – I generally only know if a pickguard fits (or doesn’t!) when I get an email saying “Craig? Wonderful job!” or “This pickguard for a Stratocaster® didn’t fit my Encore® Blaster” (I half kid! All feedback is good feedback when it comes to pickguards!)

So, you’d think that’d be easy right? You’re expecting an email after a few days asking for feedback aren’t you? Well, that brings us on to fold 2!

“Pickguards are standardised”

Yeah…. Not quite… its close, but not quite true!

Pickguards ARE standardised! I know more about Fender® then any other manufacturer, and I can say, with certainty, there are 3 recognised “official” specs of Stratocaster® pickguard mounting plan. This is the ultimate truth. 1954-57, 1958-62 and 1963-this morning! (other things change, but the mounting screw positions, are always the same)

And I know, that there will be pickguards I ship out today, that won’t fit guitars that I would have sworn blind, they should fit. 50s Strat® that won’t accept 50s plates, modern guitars that wont take modern plates. Brand spanking new sixties inspired Strat® that won’t take a 62 pickguard.

Things change – guitars will come off the production line with an “out of spec” pickguard. Sometimes it’ll be intentional, sometimes it won’t. Fender® might be trying something different, they might have switched factory, they might have changed… something. It might be the introduction of “the new standard”, it might have been an experiment – no one knows why we come away from the standards, but it happens.

Its not common, but it happens. A hole will move 2mm, and nothing else will change. A tremolo route will be 1.2mm smaller, a bridge humbucker will move forward 6mm – and these changes aren’t recorded, and by the next production run (or model, or re-issue) the change has vanished, and we’re back to working on the standard.

So – the best advice I can give to anyone considering a “will it fit” email?

Click on “Technical Specification” above – there’s a diagram. Measure it against your guitar.
I can’t see your guitar, I don’t have the dimensions, and even if I had the exact same model produced a week earlier and a week later, I’m in no position to say that yours, is the same!

It’s the only way to be certain – and its dead easy! Everything’s measured centre to centre (on the holes) and edge to edge, across the shortest possible length – give yourself a bit of a tolerance to account for measurement errors, and it’s a 2-minute job to figure out.

“I’ve measured, the pickguard physically fits, but the screw holes don’t line up?”


This is, honestly, the most common “my pickguards not standardised” gripe – and, really? There isn’t much I can do – I’ve got to fall on the sword of “all pickguards are standardised” – I appreciate that your guitar might be out (and, chances are, its “out” to every aftermarket/spare parts pickguard you’ve seen too)

There is so little recorded about out of spec plates, and they appear to be so isolated/random – that trying to figure out “out of spec” plates, is impossible – I appreciate that it’s a massive inconvenience, and we all want pickguard swaps to be easy, but there are some cases where it just isn’t.

So, you’ve got two options!

First, is the most logical.

Fill and redrill the mounting holes on the guitar, (change any routing if you need to!) and bring the guitar back into the standard spec! It’s a little more work, you could, potentially, devalue the guitar (although, I honestly doubt anyone would care at this point)

Epoxy fillers are very good nowadays, and will allow you do redrill holes very close to old ones, and, all in all, its very easy! All your handy work will be covered (although, I can make no promises about the routing!) – and all future pickguard swaps, are easy! Every guitar parts shop up and down the land, is working to the same standards.

Custom pickguards, they do exist! Plates made, from a big sheet of plastic, cut to size, mapped out to your individual guitar! They’re, by and large, ludicrously expensive (considering it’s a sheet of PVC cut into a pretty shape) – they’re VERY labour intensive, they have a high failure rate, they take a long time to produce… they cost a lot to buy because they cost a lot to make, and require a fair bit of skill to do well. Axesrus® doesn’t do them, what we’d need to charge, I wouldn’t want anyone to pay for a bit of plastic – but there are companies out there that will do the work. Just go in eyes open – it SHOULD be a £100-200 job – don’t be surprised when the quote hits, and be cautious of anyone offering to do it for £30.

"I've recieved my pickguard, and its VERY scratched"
Chance are, that the thing thats scratched, is actually the protective sheet on the front face of the pickguard, and it has simply done its job.

The protective sheet is intended to be removed, and even the plates, fresh from the factory, show some wear and tear on the protective sheets.


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