Wiring loom - For Stratocaster®
This is a wiring loom designed to fit, pretty much any Fender® Strat® - specifically, any with 3 singles coils, as we'd think of as the standard.
Wired up, to order, here at Axes Towers in Hull, East Yorkshire, using CTS pots (250k, vintage audio taper) a Cornell Dubillier orange drop capacitor (0.022 @ 100v), an Axesrus 5 way switch, all using 22 AWG vinitage cloth cover wired for the cleanest signal path possible.
And to top it off, its supplied with a top of the range Switchcraft Mono socket (short thread)
All in all, couldn't be easier to install - simply a case of connecting your pickups to the switch, connecting the jack socket, and connecting the spare ground wire to the trem claw to ground out the strings.
Please note, these are not official Fender® parts.
Fender®, Squier®, Stratocaster® and Strat® are registered trademarks of Fender Musical Instruments Corporation and Axesrus® has no affiliation with FMIC
Please note – these assemblies are made to order, and as such, come under the rules and regulations pertaining to custom work in regards of returns.
Up Close and Personal
Worth having a look at the looms in a little more detail - just to see some of the nice points on there, and why we do it the way we do it.
Heres the volume pot - CTS 450 Series, brass shaft, brass threaded collar, and a 24 spline split post, ideal for our UFO knobs. Notice the heat shrink on the input and output terminals? Strictly speaking, its not essential, but it does offer extra protection to the solder joints, against shorting and with a little mechanical strength.
This one, weirdly, causes a little confusion occasionally - the Fender® Stratocaster® comes with 2 tone controls - one handles the neck pickup (the yellow heat shrink) and the other handles the middle (blue heat shrink) - there is no tone control for the bridge pickup. This was actually a consious design choice way back when, and its stuck to the modern day. The idea is, that the bridge pickup should be "unbridled" to give a mroe aggressive tone. Whilst not to everyones taste, because this is a standard loom, we've stuck by that principle.
We've been using the Oak Grigsby 5 way switches for a while now, and they're actually very good. They dont have any noticable effect on the tone of the guitar, but they are incrediblly hard wearing, and very resistant to the heat of soldering (something you dont always see on cheaper switches).